Entertainment, Arts, and Sports Law | Intellectual Property Law | International Law | Law | Legal History
This Comment addresses minimum and maximum substantive international protections set out in the Berne Convention and subsequent multilateral copyright accords. While much scholarship has addressed Berne minima, the maxima have generally received less attention. It first discusses the general structure of the Berne Convention, TRIPS, and the WCT regarding these contours, and then analyzes their application to the recent “press publishers’ right” promulgated in the 2019 EU Digital Single Market Directive.
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This work is licensed under a Creative Commons Attribution 4.0 International License.
Jane C. Ginsburg,
Minimum and Maximum Protection Under International Copyright Treaties,
Colum. J. L. & Arts
Available at: https://scholarship.law.columbia.edu/faculty_scholarship/2839